Since these outbreaks are quite effective this is clearly a winning strategy. StarWaves follows the same scheme- a quiet start with an epic outburst at the end. As Tech 49 breaks out in the middle it feels like the sky opens up – the drums in here are just too epic. Nothing is forced, everything floats.Īfter the silent intro with Jack’s Dream we soon hit the gas pedal and drama mode. Like the both worlds collide in a way it is supposed to be.
#Tron legacy soundtrack analysis movie
It’s less groovy than DAFT PUNK’s take on Kosinskis last movie but M83 and Trapanese work together way more natural. Big string patterns, epic tribal drums, wide arrangements and over-the-top moments that basically scream for big pictures. The Oblivion score is not one for silent moments – it’s big. And creating impressive sounds for this stunning images of our lost home planet is perfect material for Trapanese and Gonzalez to build their score on. But of course this is just the opening scenario – of course there is a conspiracy, a love story, Morgan Freeman and epic images. Settled in the distant future the movie deals with Tom Cruise exploring a post-apocalyptic Earth that got left behind after being attack by an alien race. M83’s music is not one for little indie movies – this just needed to be this big. But seriously – we couldn’t think of a better way to start. He wasn’t afraid of accepting the challenge. Back than the combination of temporary electronica with classical arrangements worked quite well which made Trapanese the right working partner for Gonzalez on this project. He scored Kosinski’s last film Tron: Legacy with the help of some fellow French countrymen you might know under the name of DAFT PUNK. Sounds almost too perfect do go wrong, wouldn’t you agree? But you can trust us – this is really good material.įor the score Gonzalez worked closely not only with the movie’s director Kosinski but also with classical composer Joseph Trapanese. And now with the confidence of his Grammy-nominated double-album Hurry Up, We’re Dreaming and the trust from Hollywood director Joseph Kosinski the French musician is ready for the next step – scoring the new Tom Cruise staring sci-fi hit Oblivion.
With previous poetic songtitles like Lower Your Eyedlids To Die With The Sun, Highway Of Endless Dreams or My Tears Are Becoming A Sea it almost feels like Gonzalez’ tracks were meant to be played on a wide screen. But Tron was in fact first at making an arcade game tie in, an event that is so commonplace now we don't even take notice anymore.When you think about this, it is almost ridiculous that Anthony Gonzalez and his epic pop alter ego M83 never did a proper movie score before. Not to mention, these graphics by visual artists Moebius and Syd Mead were created on a computer that only had only 2MB of memory and a disc with only 330MB of storage to boot. While Tron wasn't the first movie to use CGI - that distinction goes to 1981's Looker - it was the first to use it extensively and have the story revolve around it. So, in a way, they solved the problem by just ignoring it."
Some of the frames took hours to generate." The film wasn't nominated for an Oscar for its FX, so Lisberger muses, " Tron was so unique that there really wasn't anything to compare it to.
There was no way to digitally put them on film so you actually set up a motion picture camera in front of a computer screen and you filmed it frame by frame. Computers could only generate individual frames. Speaking to Variety, director Stephen Lisberger said, "It's inconceivable now for people to think how we actually did the CG.
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